Perhaps one hot, sustained burst is the only way to cast such a complete object, in which form and content, shape and meaning, are alloyed inextricably.
Summary On the surface, this poem is simplicity itself. However, the ambiguity of the poem has lead to extensive critical debate. The speaker is stopping by some woods on a snowy evening.
My little horse must think it queer 5 To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He or she takes in the lovely scene in near-silence, is tempted to stay longer, but acknowledges the pull of obligations and the considerable distance yet to be traveled before he or she can rest for the night.
One is tempted to read it, nod quietly in recognition of its splendor and multivalent meaning, and just move on. His house is in the village, though; He will not see me stopping here To watch his woods fill up with snow.
He gives his harness bells a shake To ask if there is some mistake. For example, in the third stanza, queer,near, and year all rhyme, but lake rhymes with shake,mistake, and flake in the following stanza.
Within the four lines of each stanza, the first, second, and fourth lines rhyme. Like a big stone, like a body of water, like a strong economy, however it was forged it seems that, once made, it has always been there. Form The poem consists of four almost identically constructed stanzas.
Still others, however, such as Philip L. The notable exception to this pattern comes in the final stanza, where the third line rhymes with the previous two and is repeated as the fourth line.
Frost claimed that he wrote it in a single nighttime sitting; it just came to him. But one must write essays.
While he is drawn to the beauty of the woods, he has obligations which pull him away from the allure of nature. The speaker is thus faced with a choice of whether to give in to the allure of nature, or remain in the realm of society.
Some conclude that the speaker chooses, by the end of the poem, to resist the temptations of nature and return to the world of men. Some critics have interpreted the poem as a meditation on death—the woods represent the allure of death, perhaps suicide, which the speaker resists in order to return to the mundane tasks which order daily life.
While the speaker continues to gaze into the snowy woods, his little horse impatiently shakes the bells of its harness. The third line does not, but it sets up the rhymes for the next stanza. The speaker in the poem, a traveler by horse on the darkest night of the year, stops to gaze at a woods filling up with snow.
Commentary This is a poem to be marveled at and taken for granted. Each line is iambic, with four stressed syllables: He thinks the owner of these woods is someone who lives in the village and will not see the speaker stopping on his property.Stopping by Woods on a Snowy Evening by Robert Frost.
Stopping by Woods on a Snowy Evening Learning Guide by PhD students from Stanford, Harvard, Berkeley. Assess your knowledge of Robert Frost's famous poem, ~'Stopping by Woods on a Snowy Evening~'.
Answer the practice questions on this interactive. [In the following essay, Hochman discusses multiple interpretations of “Stopping by Woods on a Snowy Evening,” a poem that seems to evade any one definite interpretation.
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'Stopping by Woods on a Snowy Evening' is one of Robert Frost's most famous poems, filled with the theme of nature and vivid imagery that readers.
A summary of “Stopping by Woods on a Snowy Evening” in Robert Frost's Frost’s Early Poems. Learn exactly what happened in this chapter, scene, or section of Frost’s Early Poems and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.Download